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What Adam H. Johnson’s How to Sell a Genocide reveals—and what the question of digital witnessing forces us to confront There is a disturbing question at the heart of the Gaza catastrophe that cannot be answered simply by asking what governments did, what armies did, or even what the media reported. There is another question: What did the world do while watching? Adam H. Johnson’s How to Sell a Genocide: The Media’s Complicity in the Destruction of Gaza, published by Pluto Press, approaches Gaza through the machinery of mainstream American media. His investigation examines how some of the most influential institutions in the Western information system—including The New York Times, The Washington Post, CNN and MSNBC—framed the destruction of Gaza. It is an important question because wars are not fought only with weapons. They are also fought through language. Before bombs become statistics, they become headlines. Before civilian deaths become numbers, they become narratives. Before dest...

Gaza is not only a story of buildings reduced to rubble. It is a story about what happens when the physical conditions of urban life—homes, hospitals, universities, roads, water systems, memory and community—are progressively dismantled. There is a word for the destruction of a city that captures something the language of “damage” cannot fully express: urbicide . The term is at the center of Mourad Benguita’s important 2025 research article, “Urbicide in Israel’s War on Gaza: Architecture of Erasure and the Unmaking of Urban Life (2023–2025),” published in Filistin Araştırmaları Dergisi / Bulletin of Palestine Studies . The article examines Gaza not simply as a battlefield but as an urban environment whose physical and social foundations have been subjected to extraordinary destruction. And this distinction matters. Because when a house collapses, we see a destroyed building. When an entire neighborhood disappears, we begin to see something else. When hospitals, schools, unive...

There is a special kind of cruelty in watching not only a society collapse, but also the last institutions keeping it alive. For nearly three years, Gaza's humanitarian lifeline has increasingly been reduced to a queue for a single meal. Parents no longer ask their children what they would like to eat. They ask whether there will be anything to eat at all. Childhood has become measured not in birthdays, classrooms, or family gatherings, but in ration lines, empty cooking pots, and the uncertain arrival of humanitarian assistance. Now even those fragile lifelines are disappearing. The gradual closure and scaling back of World Central Kitchen (WCK) operations reflects a convergence of financial pressures, operational insecurity, and restrictions affecting humanitarian access. According to World Central Kitchen and the Israeli human rights organization B'Tselem, kitchens that once produced approximately one million meals each day have been progressively reduced, leaving only a han...

For decades, Washington treated support for Israel as something beyond debate. It was political scripture. Republicans defended it. Democrats defended it. Presidents came and went, wars came and went, thousands died, settlements expanded, Gaza burned, and the checks kept arriving. Questioning the arrangement was once political suicide. Now the walls are cracking. This week, more than half of House Democrats either voted to end U.S. aid to Israel or refused to oppose doing so. The amendment failed, but something far more important succeeded. The illusion collapsed. For years, American politicians insisted that criticism of Israeli government policy belonged only to "the fringe." Apparently the fringe has become half the Democratic caucus. History has an unusual sense of humor. The same establishment that spent years dismissing students, academics, humanitarian workers, doctors, journalists, and millions of protesters as naïve, radical, or antisemitic now finds itself strugglin...

A President's Moral Warning Israeli presidents traditionally avoid political confrontation. Their role is largely ceremonial and symbolic, intended to unify rather than divide. Yet Herzog chose to speak openly about something many observers have documented for years: the erosion of moral restraints. His language was unusually severe. Warning of what he called " a terrible process of brutalization " within Israeli society, Herzog lamented that " there are segments among us that are barely shocked by violence anymore " while " certain other segments treat it lightly." Perhaps most alarming was his warning that extremist conduct is no longer confined to society's fringes. Such behavior, he said, is " threatening to enter the mainstream ." The significance of the speech lies not merely in what was said, but in who said it. When a country's ceremonial head of state feels compelled to warn that brutality is becoming normalized, the ...

  The image of prosecutor Salah Khalil Na’ameh’s battered face shocked many Israelis because it shattered a dangerous illusion: that state violence lmk can remain confined to Palestinians indefinitely without eventually consuming Israeli society itself. For Palestinians, especially in the occupied West Bank, such scenes are tragically familiar. A man beaten bloody by armed forces. Masked officers storming homes. Security forces accused of fabricating narratives later contradicted by video evidence. Citizens pleading for protection while police either stand aside or participate. What shocked many Israelis was not merely the brutality itself — but the identity of the victim. Na’ameh was not a villager from Hebron or a shepherd from Masafer Yatta. He was an Arab citizen of Israel. A state prosecutor. A man who worked within the Israeli legal system itself. And even he allegedly found himself helpless before a police force critics increasingly describe as politicized, radicaliz...

Honored to share that my latest work, The Livestreamed Genocide: A Civilization That Watched and Scrorrlled, has officially been submitted for consideration for the 2026 . 🇵🇸📚 Today, the physical manuscripts of the five-volume series were formally dispatched from Karachi to the distinguished judging panel in London and the United States as part of the awards review process. This project was written as both a historical chronicle and a moral inquiry into the age of digital witnessing — an era in which atrocities are no longer hidden from the world, yet are consumed in real time through screens, timelines, and livestreams. Grounded in documented evidence, authenticated sources, and extensive independent research, the series examines the relationship between modern media, public consciousness, political silence, and the normalization of suffering in the digital age. This work was researched, written, compiled, edited, and prepared independently over countless long days and nights....