What Adam H. Johnson’s How to Sell a Genocide reveals—and what the question of digital witnessing forces us to confront There is a disturbing question at the heart of the Gaza catastrophe that cannot be answered simply by asking what governments did, what armies did, or even what the media reported. There is another question: What did the world do while watching? Adam H. Johnson’s How to Sell a Genocide: The Media’s Complicity in the Destruction of Gaza, published by Pluto Press, approaches Gaza through the machinery of mainstream American media. His investigation examines how some of the most influential institutions in the Western information system—including The New York Times, The Washington Post, CNN and MSNBC—framed the destruction of Gaza. It is an important question because wars are not fought only with weapons. They are also fought through language. Before bombs become statistics, they become headlines. Before civilian deaths become numbers, they become narratives. Before dest...
Gaza is not only a story of buildings reduced to rubble. It is a story about what happens when the physical conditions of urban life—homes, hospitals, universities, roads, water systems, memory and community—are progressively dismantled. There is a word for the destruction of a city that captures something the language of “damage” cannot fully express: urbicide . The term is at the center of Mourad Benguita’s important 2025 research article, “Urbicide in Israel’s War on Gaza: Architecture of Erasure and the Unmaking of Urban Life (2023–2025),” published in Filistin Araştırmaları Dergisi / Bulletin of Palestine Studies . The article examines Gaza not simply as a battlefield but as an urban environment whose physical and social foundations have been subjected to extraordinary destruction. And this distinction matters. Because when a house collapses, we see a destroyed building. When an entire neighborhood disappears, we begin to see something else. When hospitals, schools, unive...